Thursday, November 29, 2007

Mailorder Comics


Mailordercomics.com


Don't tell me you've grown OUT of the comic book phase...

Mailorder Comics has been around since 1997, and uses a phrase,
"Today's Comics. Yesterday's Prices."

Marvel, DC, Image, Dark Horse comics and more. Mailorder Comics boasts standard 38% off discounts on large press items.

From new and current Anime to DC (TM) and even back issues of Marvel series favorites, right up to Adult themed Anime and Teen Titans, you're sure to find something of great interest through this online comic book store.

Some pre-ordered new releases are 50% and up to even 75% off.

Mailorder Comic stocks more than comics!

You can order designer toys at Mailorder Comics, Magazines, Prints and Posters, Games, Books, Audios, Collectibles and Novelties, Videos, Trading Cards, Apparel, and more!


Save up to 75% off your new comics!

Sunday, November 4, 2007

Graphic Novels

Here are some interesting links, spun from one of the hottest shows on television. They're the graphic novel issues that side-step Tim Kring and NBC TVs Heroes sci-fi drama series.

These interactive novels sometimes keep in line with the show, but also create side-line stories and introduce extra characters, situations and events.

Here's the link to novel #1 (requires 'flash'):

Heroes Graphic Novel - Chapter One: "Monsters"
(opens in new window)

Here's a link for a printable PDF version, too:

Heroes Graphic Novel - Chapter One: "Monsters" (PDF)
(opens in new window)

Sunday, October 7, 2007

Article ABCs of the Internet

Just a little blurb about the ABCs of the Internet that I wrote back in the summertime.

ABCs of the Internet on Hubpages
(will open in new window)

Hubpages is a great place to check out articles written by real people. Now, you probably won't want to cite most of the articles you find at Hub Pages, but there are a lot of good pieces written in regular language. You'll find a lot of different topics and perceptions from all over the place at the site.

If you're interested, you can also earn money through HubPages, so I do hope you'll check it out.

Tuesday, September 11, 2007

Watch The Bullet!

I stumbled back across this video in my You Tube files.

It's not directly about writing or text method storytelling, but it is definitely much more than just a Hard Rock Music Video!

There's a li'l storytelling going on - and the ANIMATION is GREAT!

Watch the BULLET! Keep your eye on it - some pretty awesome FX goin' on here!

Here's the video:

Korn's "Freak On A Leash" from the "Follow The Leader" Album



Even if this isn't your usual style of music to listen to, you should be able to appreciate the creative ideas in the film-making and special effects going on here.

Enjoy!

Sunday, September 9, 2007

Get In Touch Through Yuwie



Get in touch with me through the Yuwie Social Site. Just log in, look for 'teeray' and send me a message. I'll get back to you as soon as possible!

If you haven't become a member at Yuwie yet, don't worry - membership is FREE and the site is really easy to use. Yuwie also pays members when they interact, so it's just a good idea to become part of this social site as soon as possible. It's a new site but people are flocking to it like crazy. If you get in soon, you'll be able to build a great friends list and also make more money!



I know I've been hard to contact lately. I've been working a lot on my website (www.teeray.com) and it is almost ready! After September 15, you'll be able to contact me easily through my site. Until then, message me at Yuwie and I'll be able to reply pretty quickly.

Tuesday, August 28, 2007

Self-Publishing - Associated Content



Associated Content is looking for writers.

Join Associated Content

Submit your articles to Associated Content and be READ! Join the community and also get writing tips, access tutorials, and the Associated Content Affiliate program.

Gain excellent exposure within the heavily populated Associated Content site. Your articles and other content will be accessed by non-members, as well, who access the vast Associated Content site, looking for information, articles, videos, audios and images.

Associated Content attracts Millions of targetted visitors each month. These are people who are expressly looking for content, and the kinds of other media offerings from the Associated Content site. The site is high-profile, advertised widely, and becoming a member can be a great benefit to you as a writer, wishing to get your work seen and reviewed.

Your content will be placed in the Associated Content library for both members and non-members to view. Associated Content is constantly looking for original content, and many types of submissions will be tracked, so that you'll be paid for writing excellent content that is of interest to others.

Check the site out, join for free and have a look around the site.

Join Associated Content

Sunday, August 19, 2007

Off Topic Humour



I thought I'd add some humour to the blog. Now, I know this doesn't have anything to do with writing or coffeehouse, teahouse fare, but I thought readers would enjoy this until I whip up another Flash Fiction lesson of one sort or another.

You might be Pagan if:

1. When you're sworn in in court, you bring your own grimoire.
2. Painting yourself blue, spiking your hair, and dancing naked around a bonfire sounds like large amounts of fun.
3. When asked if you believe in God, you ask, "Which one?"
4. You know what "widdershins" means. You know when to apply it.
5. You think The Mists of Avalon should be a religious text. You use it as such.
6. You have friends who say they are elves. You believe them.
7. You commit blasphemy in the plural.
8. Upon dying, your first thought is, "Darn it, not AGAIN."
9. When you say "Mother Nature," you don't mean it in an anthropomorphic way.
10. You know that there are exceptions to the laws of physics. You've caused them.
11 The first thing your guests say is, "My, that's a nice...altar. ..you have there."
12. You understand the symbolism behind a maypole.
13. You've ended a phone call with "so mote it be."
14. Your children go around telling people that "the Goddess loves you."
15. On Halloween, you yell "Happy New Year!" at passers-by.
16. You know that Christmas trees were originally pagan symbols. That's why you bought one. 17. You have a frequent buyer card at the local antique bookstore. The proprietor of said bookstore picks out anything to do with the Celts and saves it for you.
18. You think Mercedes Lackey should be a cultural icon.
19. Gaia is NOT the lady on Captain Planet.
20. You have an entire spice cabinet and you don't cook. You know that laurel and bay leaves are the same thing.
21. In Religion 100, you were disappointed because they didn't cover YOUR gods.
22. You know that there is a right way and a wrong way to draw a pentacle. You can explain the difference.
23. You've spent the last year and a half looking for a familiar.
24. You talk to trees. They talk back.
25. You know dragons and faeries exist. You've seen them.
26. You've been seen talking to cats. They talk back. You understand what they're saying.
27. You've seen "The Craft." You know where they were making stuff up in "The Craft." You have explained this to other people. You can do it better than they did it in "The Craft." You know it's a load of crap.
28. You're reading this page. You understand what it's talking about. You have more to add.

I don't know who put this together originally, so I don't know who to attribute this to. It is on the boards in my Yahoo groups and in My Space, Facebook and myLot threads already.

Feed Shark

Thursday, August 2, 2007

Free Flash Fiction

If you are interested in learning more about Flash Fiction - or you just want to wander the web and find more Flash Fiction sites, here is a great online resource page.

Red Inkworks - Flash Fiction page

There are well over 30 other sites listed here, along with a short explanation of what each site or page offers - all Flash Fiction sites or pages, with a little 'short story' format thrown in - so you won't have to wade through other literature types along your way.

You'll also find quite a few little Flash Fiction competitions, lessons, and reviews while browsing around the pages listed on the Red Inkworks site.

Grab your coffee or tea, and pull your most comfortable chair up to the computer, because this collection of sites housed on the Red Inkworks page is really engaging. You won't want to just browse for a minute or two - especially once you hit some of the stories.

Enjoy!

Friday, July 20, 2007

Popular Culture TV - The Simpsons

Though this isn't a classical literature or even a book topic, I thought I would post to my blog about a CONTEST (who doesn't love CONTESTS?) that Fox and Opera (My Opera browser community) put together to help promote The Simpsons Movie.

Check out some details about the contest here:
Get Contest Details About The Simpsons Movie Contest
(link will open in new window)

The contest started on the 13th of this month. Ends in 1 week on July 27th. You still have time to check it out and enter the contest!

Good luck!

Sunday, July 15, 2007

Are You a Writer YET?

Hey, did you try the writing exercise or try writing some Flash Fiction yet? If you tried, did you get the 'writing-bug' yet?

Are you interested in making your own eBook, giving it away as a freebie or even selling it?

I have been using Adobe products for a while, but an acquaintance, Dirk Dupon, whose life is all about making and selling eBooks, just directed me to a free resource that Adobe offers.

You can make a REAL PDF eBook with Adobe for free! Actually, you can make 5 free PDFs and see if writing your own eBooks is something you'd like to do - either for fun or profit.

Free Trial - Make 5 Adobe PDF files for FREE

There are some other really great eBook creation products out there. I thought I'd direct you straight to the Adobe product first, because Adobe is top of the line quality. I'll come back and show you some other (some free, some not free - but very reasonably priced) eBook creation products soon, but for now, I hope you test out the free trial.

Wednesday, June 20, 2007

Do You Write?

A lot of people who enjoy different types of literature are also writers.

If you're a writer, too - you've probably wondered a lot about how to make your writing better. Maybe you're not sure how to start a story or what to do with a story once you get to a certain stage.

Here's a little practice activity that might help you with your writing - and it's particularly good for 'starts' and 'beginnings' - just because it will jump start your creative thinking.

All you need to do this practice are:
* a magazine
* a way to time yourself (watch, clock)
* paper (a small or journal so you can save your work)
* pen or pencil

Now here's what you do:

What you're looking for is a person - so make sure you're using a magazine that has people in it - not just landscapes or something.

Just flip through the magazine for 15 seconds. ONLY 15!! The point here is not to be choosy. (If you select things very carefully, you will have selected a picture 'with something in mind' and half the point of the practice is wasted!).

Now on the page, after 15 seconds of flipping, if there is a picture on the page with a person in it - even a drawing of a person - then look at the person for 30 seconds - then put the picture away. This is the person you're going to 'sketch' details about with your words.

(If you stopped on a page without a person - flip pages again for 15 seconds until you find a person...if you found a page with many people on it - select the person closest to the middle of the page - this turns out really interesting results if the picture is small, believe it or not, and you can barely see the person in a 'crowd picture' or 'group picture').

Now that you've 'viewed' the picture for half a minute or so...

START WRITING!

Just for 5 minutes.

Who is the person? What are they thinking, what are they doing, what are they about to do - what did they just finish doing? What colour was their hair - was it natural or did they dye it to look that way? Does the person have children? If the person you found was a child - does he or she have brothers and sisters?

See what you come up with - but STOP WRITING after only 5 minutes.

Then take a look at what you came up with. And find the magazine picture of the person again and do a comparison.

Did you physically describe the person as the person really looked - did you forget some of the physical details and manage to make up some reasonable details of your own? Did you focus more on the person's activities, the person's thoughts, the scenarios that the person was set into?

Let me know how this pratice works out for you.

If you still have trouble generating ideas for writing, just post some comments on the blog and I will find you some other information.

Monday, June 18, 2007

Flash Fiction

I just got turned on to Flash Fiction again a few weeks ago. An instructor of mine lent me his favourite Flash Fiction book .....and now - I dunno - I'm gonna have to find a copy of it to buy before he gets this book back haha.

Flash Fiction is the Short SHORT Story. Some Flash Fiction pieces are two or three paragraphs - some 3 pages. Generally, up to 2 pages is about right, and reading Flash Fiction can give you something of a scare!

Due to the extremely short 'entries' or works, many Flash Fiction pieces are kind of strange. Often, they look quite like 'EXCERPTS' of other things (some probably are) but in any case - whatever happens in a Flash Fiction unit happens FAST or not at all. Sometimes it's the 'not at all' that is very interesting...

Flash Fiction will drop the reader off in 'nothingland' so that the reader has to imagine what the heck they just read - or the ending to the story - or the beginning or what have you...

For example,
I just read a one and a half page piece that starts with a dinnertime scenario. It just starts in the middle of something. There are about 5 characters present, one of which is a couple who were invited to supper at an old Colonial Missionary man's place. He's a little loopy but you don't read this in from the start. Dinner conversation is going well - Mr. Nutty Missionary is just fine and the mood if somewhat formal around the table with everyone displaying some high-brow manners.

When dinner is over, after some points of conversation about 'the colonies,' Mr. Nutso starts ranting. His wife and son don't even blink an eye, they're just silent, so the guest couple don't know what the heck is going on.....

Anyhow - can't give you all of the story 'cos I don't have the piece right in front of me to cite properly...

Suffice it to say - a few more bizarre actions take place and the main character goes quite whacko...and the piece ends with him, in the blink of an eye, returning to normal, formal and mannerly voice and behavior...

Then the story is pretty much over!

Weird stuff, eh?

One has to assume a lot of things as a reader...

Such as:

Colony life made the main character insane!
But he's not really insane - just has some daily triggers.
He's scary, that's for sure, but within his ranting and violent actions, the family and dinner guests are perfectly safe. As mentioned, his wife and son don't even blink an eye.
The reader has to conclude that this is an everyday occurence, this ranting (and the tossing of preserved ears onto the table everyone has been eating food at), and strict English formality at mealtimes. Yes, I did say 'ears'.

There is a LOT to the one and a half-page tale - but not a lot written down. Most of the story details occur in the reader's head - as per imagination allows - and if you have a good imagination and a somewhat morbid one - this dang story will definitely give you a NIGHTMARE! Or - if you're 'historically' inclined, you'll understand about the Missionary guy's condition and feel a certain empathy for him - not too much 'cos he does conduct himself in an otherwise proud, robust way (except for when he's caught up in an emotional whirlwind, ranting - immediatly following the evening meal). If you're 'psychologically' inclined, youre imagination will probably diagnose this sick puppy and figure out an anti-psychotic medication for him to take. Or if you're like me - with a chaotic imagination jumping all over the place, you'll just keep wondering about all those people that the severed ears came from, shiver a little - and keep your light on 'til the last minute before sleeping for a few nights.

Sunday, May 27, 2007

Just Some Fun - Try This Quiz

Check This Out!

Your Theme Song is Soak Up The Sun by Sheryl Crow

"I've got no one to blame
For every time I feel lame
I'm looking up"

You're laid back, optimistic, and very together
Like the sun, people feel warm and comfortable around you


Do You Like Sheryl Crow, too?

Saturday, May 19, 2007

Canadian and US Alerts Now On This Blog

Have you heard of "Code Amber Alerts" yet? If you're not from Canada or the USA, you may not have heard of them. They're systems of alerting the general public when a child has been kidnapped or abducted. If you are from Canada or the USA, please note that I am placing real-time Code Amber Alert system tickers on the blog as of NOW, today. Please take note of the tickers from time to time to see if something has occurred in your area.

In 1996, a little girl named Amber Hagerman was outdoors riding her bicycle in a public area - in Arlington, Texas. Someone kidnappened her, snatching her from her play. Later, this person brutally murdered Amber. People saw Amber with someone on this day, but they didn't know it was the KIDNAPPER, so they didn't do anything. The Amber Alert system had not been developed yet. In fact, the Code Amber Alert system is named in Amber Hagerman's memory. The community in the Arlington area raised a resounding and powerful voice, following Amber's kidnapping and consequent murder, and they urged officials, broadcasting services (radio, TV, internet, ad and billboard services) and the like, to create a better way of informing the public about kidnapping and abduction incidents.

Co-operation was achieved in the state of Texas for quite some time, however, the idea of a widespread Amber Alert system didn't get off thr ground until 2002. On August 23rd 2002, an organization called 'Code Amber' went 'live,' and in less than a year, in April 2003, US President, Bush, signed papers declaring the 'Amber Alert' system a National program!

Code Amber Alert also reaches to cover Canadian regions.

I recall an incident about a year ago in my own area. A woman who needed treatment for psychological, behavioral and addiction issues had her infant taken away by child protective services and other authorities in Alberta. She was overwhelmed and kidnapped her child ('took her child back') during a visit that protective services allowed her to have with the baby. She wasn't a hard-set criminal with intent to kill a child, however, in her state, she was very distraught, and anything could have happened to the child. Nobody knew if she was actively using drugs or if she had 'cleaned up,' but even if she had stopped using drugs, she was deemed as an 'unstable' person.

Anyone who knows anything about the first stages of alcohol or drug recovery knows that it is a time of great emotional, psychological, spiritual and physical distress and that sometimes, one undertaking the 'cleaning up' process is not always in control of their behaviors. In this, though it was her own child and though she likely wouldn't have intentionally harmed her baby, the woman was clearly a danger to the child and the child was yet an infant, unable to cry out for help or do anything in the way of self-protection.

Needless to say...a Code Amber Alert is issued for cases just like this - as well as cases where the 'perpetrator,' 'kidnapper,' or 'abductor' is suspected to have criminal and murderous intent!

Luckily, the Code Amber Alert was broadcast very quickly - within about 2 hours of the act of kidnapping, and the infant was recovered unharmed within 36 hours!

I recall the digital billboards along my transit route displaying the Code Amber Alert only an hour after I saw the regular TV Report on my local news. Further 'Alert' measures continued on the TV screen once regular programming was under way, with a ticker-tape-message-tape being run constantly on-screen while regular programming was maintained. Radio messages ran the audio message every 15 minutes on the station I listened to on the way to my classes, so the effect of a Code Amber Alert was surprisingly wide-spread and extensive! The transit signs which usually just display 'location' even had 'Amber Alert' in place of regular words, so that people would check their radios, TV's, etc.

The rapid rate at which the Code Amber Alert allowed the general public to know about this incident was incredible - and - as stated already - the infant was recovered safely...the mother turned herself in to officials shortly after arranging a way for the baby to be returned first, to child protective and law enforcement services.

A pretty amazing outcome, eh?

Prior to this, I had only heard of the Amber Alerts mainly in the USA and had observed an Alert in my area for a different purpose, however, I hadn't observed such a rapid-fire, successful effect with a positive outcome - right in my area before.

I wish I had found access to the ticker-message for this blog sooner, but I just wasn't paying attention!

Anyhow - I will keep the US and Canada Code Amber Alert tickers on this blog from now on. If you see the ticker with a Yellow/Amber background, that means that there is a current investigation under way and that time is ticking.....someone has just recently kidnapped a child and if you can help, please do so! Pay attention to the messages from the ticker to see if the incident has taken place in your geographical area! You may be able to help a child so that what happened to Amber Hagerman doesn't happen again!

If you notice the tickers are not in working order on this blog, please contact me ASAP so I can find out why and get them back into functioning state.

Thanks, In advance!

Monday, May 14, 2007

It's Only The Fairy Tale (They Believe)

Here's an interesting Anime Video - quite a beautiful piece, actually.

Lyrics are sparse, but here they are:

Performer: Miyamura Yuuko
Composer: Yuki Kajiura


Who are those little girls in pain just trapped in castle of dark side of moon
Twelve of them shining bright in vain like flowers that blossom just once in years
They're dancing in the shadow like whispers of love just dreaming of a place where they're free as dove
They've never been allowed to love in this cursed cage
It's only the fairy tale they believe

Contributed by hokidoki


(Lyrics found at:)
Anime Lyrics




Enjoy!!

Monday, May 7, 2007

Old Tom Bombadil (Video)



This is a neat little Video-poem presentation that I got permission from Mr. John Farrell (in the video) to post to my blog.

It's a portion of The Adventures Of Tom Bombadil from Lord Of The Rings

Here are the words to accompany Mr. Farrell's recitation and the remainder of the poem not covered in the video will be posted below the media-box:

THE ADVENTURES OF TOM BOMBADIL

Old Tom Bombadil was a merry fellow;
bright blue his jacket was
and his boots were yellow,
green were his girdle and his breeches all of leather;
he wore in his tall hat a swan-wing feather.

He lived up under Hill, where the Withywindle
ran from a grassy well down into the dingle.
Old Tom in summertime walked about the meadows
gathering the buttercups, running after shadows,
tickling the bumblebees that buzzed among the flowers,
sitting by the waterside for hours upon hours.

There his beard dangled long down into the water:
up came Goldberry, the River-woman's daughter;
pulled Tom's hanging hair. In he went a-wallowing
under the water-lilies, bubbling and a-swallowing.

'Hey, Tom Bombadil! Whither are you going?'
said fair Goldberry. 'Bubbles you are blowing,
frightening the finny fish and the brown water-rat,
startling the dabchicks, and drowning your feather-hat!'

'You bring it back again, there's a pretty maiden!'
said Tom Bombadil. 'I do not care for wading.
Go down! Sleep again where the pools are shady
far below willow-roots, little water-lady!'

Back to her mother's house in the deepest hollow
swam young Goldberry. But Tom, he would not follow;
on knotted willow-roots he sat in sunny weather,
drying his yellow boots and his draggled feather.
Up woke Willow-man, began upon his singing,
sang Tom fast asleep under branches swinging;
in a crack caught him tight: snick! it closed together,
trapped Tom Bombadil, coat and hat and feather.

'Ha. Tom Bombadil! What be you a-thinking,
peeping inside my free, watching me a-drinking
deep in my wooden house, tickling me with feather,
dripping wet down my face like a rainy weather?'

'You let me out again, Old Man Willow!
I am stiff lying here; they're no sort of pillow,
your hard crooked roots. Drink your river-water!
Go back to sleep again like the River-daughter!'

Willow-man let him loose when he heard him speaking;
locked fast his wooden house, muttering and creaking,
whispering inside the tree. Out from willow-dingle
Tom went walking on up the Withywindle.
Under the forest-eaves he sat a while a-listening:
on the boughs piping birds were chirruping and whistling.
Butterflies about his head went quivering and winking,
until grey clouds came up, as the sun was sinking.

Then Tom hurried on. Rain began to shiver,
round rings spattering in the running river;
a wind blew, shaken leaves chilly drops were dripping;
into a sheltering hole Old Tom went skipping.
Out came Badger-brock with his snowy forehead
and his dark blinking eyes. In the hill he quarried
with his wife and many sons.

By the coat they caught him, pulled him inside their earth,
down their tunnels brought him.
Inside their secret house, there they sat a-mumbling:
'Ho, Tom Bombadil' Where have you come tumbling,
bursting in the front-door? Badger-folk have caught you.
You'll never find it out, the way that we have brought you!'

'Now. old Badger-brock, do you hear me talking?
You show me out at once! I must be a-walking.
Show me to your backdoor under briar-roses;
then clean grimy paws, wipe your earthy noses!
Go back to sleep again on your straw pillow,
like fair Goldberry and Oid Man Willow!'







Then all the Badger-folk said: 'We beg your pardon!'
They showed Tom out again to their thorny garden,
went back and hid themselves, a-shivering and a-shaking,
blocked up all their doors, earth together raking.

Rain had passed. The sky was clear, and in the summer-gloaming
Old Tom Bombadil laughed as he came homing,
unlocked his door again, and opened up a shutter.
In the kitchen round the lamp moths began to flutter:
Tom through the window saw waking stars come winking,
and the new slender moon early westward sinking.

Dark came under Hill. Tom, he lit a candle;
upstairs creaking went, turned the door-handle.
'Hoo. Tom Bombadil' Look what night has brought you!
I'm here behind the door. Now at last I've caught you!
You'd forgotten Barrow-wight dwelling in the old mound
up there on hill-top with the ring of stones round.

He's got loose again. Under earth he'll take you.
Poor Tom Bombadil pale and cold he'll make you!'
'Go out! Shut the door, and never come back after!
Take away gleaming eyes, take your hollow laughter!
Go back to grassy mound, on your stony pillow
lay down your bony head, like Old Man Willow,
like young Goldberry, and Badger-folk in burrow!
Go back to buried gold and forgotten sorrow!'

Out fled Barrow-wight through the window leaping,
through the yard, over wall like a shadow sweeping,
up hill wailing went back to leaning stone-rings, back under lonely mound,
rattling his bone-rings.
Old Tom Bombadil lay upon his pillow sweeter than Goldberry, quieter than the Willow,
snugger than the Badger-folk or the Barrow-dwellers;
slept like a humming-top, snored like a bellows.

He woke in morning-light, whistled like a starling,
sang, 'Come, derry-dol, merry-dol, my darling!'
He clapped on his battered hat, boots, and coat and feather;
opened the window wide to the sunny weather.

Wise old Bombadil, he was a wary fellow;
bright blue his jacket was, and his boots were yellow.
None ever caught old Tom in upland or in dingle,
walking the forest-paths, or by the Withywindle,
or out on the lily-pools in boat upon the water.
But one day Tom, he went and caught the River-daughter,
in green gown, flowing hair, sitting in the rushes,
singing old water-songs to birds upon the bushes.

He caught her, held her fast! Water-rats went scuttering
reeds hissed, herons cried, and her heart was fluttering.
Said Tom Bombadil: 'Here's my pretty maiden!
You shall come home with me! The table is all laden:
yellow cream, honeycomb, white bread and butter;
roses at the window-sill and peeping round the shutter.
You shall come under Hill! Never mind your mother
in her deep weedy pool: there you'll find no lover!'

Old Tom Bombadil had a merry wedding,
crowned all with buttercups, hat and feather shedding;
his bride with forgetmenots and flag-lilies for garland
was robed all in silver-green. He sang like a starling,
hummed like a honey-bee, lilted to the fiddle,
clasping his river-maid round her slender middle.
Lamps gleamed within his house, and white was the bedding;
in the bright honey-moon Badger-folk came treading,
danced down under Hill, and Old Man Willow
tapped, tapped at window-pane, as they slept on the pillow,
on the bank in the reeds River-woman sighing
heard old Barrow-wight in his mound crying.

Old Tom Bombadil heeded not the voices,
taps, knocks, dancing feet, all the nightly noises;
slept till the sun arose, then sang like a starling:
'Hey! Come derry-dol, merry-dol, my darling!'
sitting on the door-step chopping sticks of willow,
while fair Goldberry combed her tresses yellow.

Wednesday, May 2, 2007

Comments On "A Reward of Merit"

I really appreciated the 'dialogue' in this piece by Booth Tarkington. The way the boys speak is really believable and I could imagine the young boys in my neighborhood 'engineering' stunts and adventures the same way that Penrod and Sam connived about making money of old Whitey!

I even stoped to read aloud, finding that the dialogue parts sounded even more 'real' that way, or at least, the story 'speech' sounded to me the same as when I listen to real children talk amongst themselves, cutting out 'proper' elements of speech when there are no adults around.

I thought it was funny the way that Penrod was 'the leader' all the time and 'Sam' followed - because I have observed this behavior in my own family when children gather to play. Someone always seems to initiate activities and others follow the lead - at least for a while.

This is one of the most enjoyable short story bits that I've read since I've been posting. It was refreshing to read about a childs' perspective and to read 'easy-going' language.

Feel free to make comments.

Sunday, April 29, 2007

Booth Tarkington - A Reward of Merit



BOOTH TARKINGTON
A Reward of Merit

I


Penrod and Sam made a gloomy discovery one morning in mid-October. All the
week had seen amiable breezes and fair skies until Saturday, when, about
breakfast-time, the dome of heaven filled solidly with gray vapor and began
to drip. The boys' discovery was that there is no justiceabout the weather.

They sat in the carriage-house of the Schofields' empty stable; the doors upon
the alley were open, and Sam and Penrod stared torpidly at the thin but implacable
drizzle which was the more irritating because there was barely enough of it to
interfere with a number of things they had planned to do.

"Yes; this is _nice_!" Sam said, in a tone of plaintive sarcasm. "This is a _perty
_ way to do!" (He was alluding to the personal spitefulness of the elements.)
"I'd like to know what's the sense of it--ole sun pourin' down every day in the
week when nobody needs it, then cloud up and rain all Saturday! My father said
it's goin' to be a three days' rain."

"Well, nobody with any sense cares if it rains Sunday and Monday," said Penrod.
"I wouldn't care if it rained every Sunday as long as I lived; but I just like to know
what's the reason it had to go and rain to-day.Got all the days o' the week to choose
from and goes and picks on Saturday. That's a fine biz'nuss!"

"Well, in vacation----" Sam began, but at a sound from a source invisible to him
he paused. "What's that?" he said, somewhat startled.
It was a curious sound, loud and hollow and unhuman, yet it seemed to be a cough.
Both boys rose, and Penrod asked uneasily, "Where'd that noise come from?"

"It's in the alley," said Sam.

Perhaps if the day had been bright, both of them would have stepped immediately
to the alley doors to investigate; but their actual procedure was to move a little
distance in the opposite direction. The strange cough sounded again.

"_Say!_" Penrod quavered. "What _is_ that?"

Then both boys uttered smothered exclamations and jumped, for the long, gaunt
head which appeared in the doorway was entirely unexpected. It was the cavernous
and melancholy head of an incredibly thin, old, whitish horse. This head waggled
slowly from side to side; the nostrils vibrated; the mouth opened, and the hollow
cough sounded again.

Recovering themselves, Penrod and Sam underwent the customary human
reaction from alarm to indignation.

"What you want, you ole horse, you?" Penrod shouted. "Don't you come coughin'
around _me_!"

And Sam, seizing a stick, hurled it at the intruder.

"Get out o' here!" he roared.

The aged horse nervously withdrew his head, turned tail, and made a rickety
flight up the alley, while Sam and Penrod, perfectly obedient to inherited impulse,
ran out into the drizzle and uproariously pursued. They were but automatons of
instinct, meaning no evil. Certainly they did not know the singular and pathetic
history of the old horse who had wandered into the alley and ventured to look
through the open door.

This horse, about twice the age of either Penrod or Sam, had lived to find himself
in a unique position. He was nude, possessing neither harness nor halter; all he
had was a name, Whitey, and he would have answered to it by a slight change of
expression if any one had thus properly addressed him. So forlorn was Whitey's
case, he was actually an independent horse; he had not even an owner. For two
days and a half he had been his own master.

Previous to that period he had been the property of one Abalene Morris, a person
of color, who would have explained himself as engaged in the hauling business.
On the contrary, the hauling business was an insignificant side line with Mr. Morris,
for he had long ago given himself, as utterly as fortune permitted, to that talent
which, early in youth, he had recognized as the greatest of all those surging in his
bosom. In his waking thoughts and in his dreams, in health and in sickness, Abalene
Morris was the dashing and emotional practitioner of an art probably more than
Roman in antiquity. Abalene was a crap-shooter. The hauling business was a disguise.

A concentration of events had brought it about that, at one and the same time,
Abalene, after a dazzling run of the dice, found the hauling business an actual danger
to the preservation of his liberty. He won seventeen dollars and sixty cents, and within
the hour found himself in trouble with an officer of the Humane Society on account of an altercation with Whitey. Abalene had been offered four dollars for Whitey some ten
days earlier; wherefore he at once drove to the shop of the junk-dealer who had made
the offer and announced his acquiescence in the sacrifice.

"_No_, suh!" said the junk-dealer, with emphasis. "I awready done got me a good
mule fer my deliv'ry-hoss, 'n'at ole Whitey hoss ain' wuff nofo' dollah nohow! I 'uz
a fool when I talk 'bout th'owin' money roun'that a-way. I know what _you_ up to,
Abalene. Man come by here li'l bitago tole me all 'bout white man try to 'rest you,
ovah on the avvynoo.Yessuh; he say white man goin' to git you yit an' th'ow you in
jail 'count o' Whitey. White man tryin' to fine out who you _is_. He say,nemmine,
he'll know Whitey ag'in, even if he don' know you! He say he ketch you by the hoss;
so you come roun' tryin' fix me up with Whitey so white man grab me,
th'ow _me_ in 'at jail. G'on 'way f'um hyuh, you Abalene! You cain' sell an' you
cain' give Whitey to no cullud man 'in'is town. You go an' drowned 'at ole hoss,
'cause you sutny goin' to jail if you git ketched drivin' him."

The substance of this advice seemed good to Abalene, especially as the seventeen
dollars and sixty cents in his pocket lent sweet colors to life out of jail at this time.
At dusk he led Whitey to a broad common at the edge of town, and spoke to him finally.

"G'on 'bout you biz'nis," said Abalene; "you ain' _my_ hoss. Don' look roun' at me,
'cause _I_ ain' got no 'quaintance wif you. I'm a man o'money, an' I got my own
frien's; I'm a-lookin' fer bigger cities, hoss.You got you' biz'nis an' I got mine.
Mista' Hoss, good-night!"

Whitey found a little frosted grass upon the common and remained there all night.
In the morning he sought the shed where Abalene had kept him, but that was across
the large and busy town, and Whitey was hopelessly lost. He had but one eye;
a feeble one; and his legs were not to be depended upon; but he managed to cover
a great deal of ground, to have many painful little adventures, and to get monstrously
hungry and thirsty before he happened to look in upon Penrod and Sam.

When the two boys chased him up the alley, they had no intention to cause pain;
they had no intention at all. They were no more cruel than Duke, Penrod's little old
dog, who followed his own instincts, and, making his appearance hastily through
a hole in the back fence, joined the pursuit with sound and fury. A boy will nearly
always run after anything that is running, and his first impulse is to throw a stone
at it. This is a survival of primeval man, who must take every chance to get his dinner.
So, when Penrod and Sam drove the hapless Whitey up the alley, they were really
responding to an impulse thousands and thousands of years old--an impulse founded
upon the primordial observation that whatever runs is likely to prove edible. Penrod
and Sam were not "bad"; they were never that. They were something which was not
their fault; they were historic.

At the next corner Whitey turned to the right into the cross-street; thence, turning
to the right again and still warmly pursued, he zigzagged down a main thoroughfare
until he reached another cross-street, which ran alongside the Schofields' yard and
brought him to the foot of the alley he had left behind in his flight. He entered the
alley, and there his dim eye fell upon the open door he had previously investigated.
No memory of it remained, but the place had a look associated in his mind with hay,
and as Sam and Penrod turned the corner of the alley in panting yet still vociferous
pursuit, Whitey stumbled up the inclined platform before the open doors, staggered thunderously across the carriage-house and through another open door into a stall,
an apartment vacant since the occupancy of Mr. Schofield's last horse, now severa
years deceased.

II

The two boys shrieked with excitement as they beheld the coincidence of this strange
return. They burst into the stable, making almost as much noise as Duke, who had
become frantic at the invasion. Sam laid hands upon a rake.

"You get out o' there, you ole horse, you!" he bellowed. "I ain't afraid to drive him out.
I----"

"_Wait_ a minute!" shouted Penrod. "Wait till I----"

Sam was manfully preparing to enter the stall.

"You hold the doors open," he commanded, "so's they won't blow shut and keep him
in here. I'm goin' to hit him with----"

"Quee-_yut_!" Penrod shouted, grasping the handle of the rake so that Sam could
not use it.

"Wait a _minute_, can't you?" He turned with ferocious voice and gestures upon
Duke. "_Duke!_" And Duke, in spite of his excitement, was so impressed that he
prostrated himself in silence, and then unobtrusively withdrew from the stable.
Penrod ran to the alley doors and closed them.

"My gracious!" Sam protested. "What you goin' to do?"

"I'm goin' to keep this horse," said Penrod, whose face showed the strain of a great idea.

"What _for_?"

"For the reward," said Penrod simply.

Sam sat down in the wheelbarrow and stared at his friend almost with awe.

"My gracious," he said, "I never thought o' that! How--how much do you think we'll
get, Penrod?"

Sam's thus admitting himself to a full partnership in the enterprise met no objection
from Penrod, who was absorbed in the contemplation of Whitey.

"Well," he said judicially, "we might get more and we might get less."

Sam rose and joined his friend in the doorway opening upon the two stalls. Whitey had preempted the nearer, and was hungrily nuzzling the old frayed hollows in the manger.

"May be a hundred dollars--or sumpthing?" Sam asked in a low voice.

Penrod maintained his composure and repeated the new-found expression which had
sounded well to him a moment before. He recognized it as a symbol of the
non-committal attitude that makes people looked up to.

"Well"--he made it slow, and frowned--"we might get more and we mightget less."

"More'n a hundred _dollars_?" Sam gasped.

"Well," said Penrod, "we might get more and we might get less." This time, however,
he felt the need of adding something. He put a question in an indulgent tone, as
though he were inquiring, not to add to his own information but to discover the
extent of Sam's.

"How much do youthink horses are worth, anyway?"

"I don't know," said Sam frankly, and, unconsciously, he added, "They might be
more and they might be less."
"Well, when our ole horse died," said Penrod, "papa said he wouldn't taken five
hundred dollars for him. That's how much _horses_ are worth!"

"My gracious!" Sam exclaimed. Then he had a practical afterthought."But maybe
he was a better horse than this'n. What color was he?"

"He was bay. Looky here, Sam"--and now Penrod's manner changed from the
superior to the eager--"you look what kind of horses they have in a circus, and you
bet a circus has the _best_ horses, don't it? Well, what kind of horses do they
have in a circus? They have some black and white ones, but the best they have are
white all over. Well, what kind of a horse is this we got here? He's perty near white
right now, and I bet if we washed him off and got him fixed up nice he _would_ be
white. Well, a bay horse is worth five hundred dollars, because that's what papa
said, and this horse----"

Sam interrupted rather timidly.

"He--he's awful bony, Penrod. You don't guess that'd make any----"
Penrod laughed contemptuously.

"Bony! All he needs is a little food and he'll fill right up and look good as ever. You
don't know much about horses, Sam, I expect. Why,_our_ ole horse----"

"Do you expect he's hungry now?" asked Sam, staring at Whitey.

"Let's try him," said Penrod. "Horses like hay and oats the best, but they'll
eat most anything."

"I guess they will. He's tryin' to eat that manger up right now, and I bet it ain't
good for him."
"Come on," said Penrod, closing the door that gave entrance to the stalls. "We got
to get this horse some drinkin'-water and some good food."

They tried Whitey's appetite first with an autumnal branch which they wrenched
from a hardy maple in the yard. They had seen horses nibble leaves, and they
expected Whitey to nibble the leaves of this branch, but his ravenous condition
did not allow him time for cool discriminations. Sam poked the branch at him from
the passageway, and Whitey, after one backward movement of alarm, seized it venomously."Here! You stop that!" Sam shouted. "You stop that, you ole horse, you!"

"What's the matter?" called Penrod from the hydrant, where he was filling a bucket.
"What's he doin' now?"

"Doin'! He's eatin' the wood part, too! He's chewin' up sticks as bigas baseball bats!
He's crazy!"
Penrod rushed to see this sight, and stood aghast. "Take it away from him, Sam!" he commanded sharply.

"Go on, take it away from him yourself!" was the prompt retort of his comrade.

"You had no biz'nuss to give it to him," said Penrod. "Anybody with any sense ought
to know it'd make him sick. What'd you want to go and give it to him for?"
"Well, you didn't say not to."
"Well, what if I didn't? I never said I did, did I? You go on in that stall and take it away from him."
"_Yes_, I will!" Sam returned bitterly. Then, as Whitey had dragged the remains
of the branch from the manger to the floor of the stall, Sam scrambled to the top of
the manger and looked over. "There ain't muchleft to _take_ away! He's swallered
it all except some splinters. Better give him the water to try and wash it down with."

And, as Penrod complied, "My gracious, look at that horse _drink_!"

They gave Whitey four buckets of water, and then debated the questionof nourishment. Obviously, this horse could not be trusted with branches, and, after getting their
knees black and their backs sodden, they gave up trying to pull enough grass to
sustain him. Then Penrod remembered that horses like apples, both "cooking-apples" and "eating-apples," and Sam mentioned the fact that every autumn his father received
a barrel of "cooking-apples" from a cousin who owned a farm. That barrel was in the
Williams' cellar now, and the cellar was providentially supplied with "outside doors,"
so that it could bevisited without going through the house. Sam and Penrod set forth
for the cellar.

They returned to the stable bulging, and, after a discussion of Whitey's digestion
(Sam claiming that eating the core and seeds, as Whitey did, would grow trees in
his inside), they went back to the cellar for supplies again--and again. They made
six trips, carrying each time a capacity cargo of apples, and still Whitey ate in
a famished manner. They were afraid to take more apples from the barrel, which
began to show conspicuously the result of their raids, wherefore Penrod made an
unostentatious visit to the cellar of his own house. From the inside he opened a window
and passed vegetables out to Sam, who placed them in a bucket and carried them
hurriedly to the stable, while Penrod returned in a casual manner through the house.

Of his_sang-froid_[30-1] under a great strain it is sufficient to relate that, in the
kitchen, he said suddenly to Della, the cook, "Oh, look behind you!" and by the time
Della discovered that there was nothing unusual behind her, Penrod was gone, and
a loaf of bread from thekitchen table was gone with him.

Whitey now ate nine turnips, two heads of lettuce, one cabbage, eleven raw potatoes,
and the loaf of bread. He ate the loaf of bread last and he was a long time about it;
so the boys came to a not unreasonable conclusion.

"Well, sir, I guess we got him filled up at last!" said Penrod. "I bet he wouldn't eat a
saucer of ice-cream now, if we'd give it to him!"

"He looks better to me," said Sam, staring critically at Whitey. "I think he's kind of
begun to fill out some. I expect he must like us, Penrod; we been doin' a good deal
for this horse."

"Well, we got to keep it up," Penrod insisted rather pompously. "Longas _I_ got
charge o' this horse, he's goin' to get good treatment."
"What we better do now, Penrod?"
Penrod took on the outward signs of deep thought.
"Well, there's plenty to _do_, all right. I got to think."
Sam made several suggestions, which Penrod--maintaining his air of preoccupation
--dismissed with mere gestures.
"Oh, _I_ know!" Sam cried finally. "We ought to wash him so's he'll look whiter'n what
he does now. We can turn the hose on him acrost the manger."
"No; not yet," said Penrod. "It's too soon after his meal. You ought to know that
yourself. What we got to do is to make up a bed for him--if he wants to lay down
or anything."
"Make up a what for him?" Sam echoed, dumfounded. "What you talkin' about?
How can----"
"Sawdust," said Penrod. "That's the way the horse we used to have used to have it.
We'll make this horse's bed in the other stall, and then he can go in there and lay down whenever he wants to."
"How we goin' to do it?"
"Look, Sam; there's the hole into the sawdust-box! All you got to do is walk in there
with the shovel, stick the shovel in the hole till it gets full of sawdust, and then
sprinkle it around on the empty stall."
"All _I_ got to do!" Sam cried. "What are you goin' to do?"
"I'm goin' to be right here," Penrod answered reassuringly. "He won't kick or anything,
and it isn't goin' to take you half a second to slip around behind him to the other stall."
"What makes you think he won't kick?"
"Well, I _know_ he won't, and, besides, you could hit him with the shovel if he tried
to. Anyhow, I'll be right here, won't I?"
"I don't care where you are," Sam said earnestly. "What difference would that make
if he ki----"
"Why, you were goin' right in the stall," Penrod reminded him. "When he first came in,
you were goin' to take the rake and----"
"I don't care if I was," Sam declared. "I was excited then."
"Well, you can get excited now, can't you?" his friend urged. "You can just as easy get----"
He was interrupted by a shout from Sam, who was keeping his eye upon Whitey
throughout the discussion.
"Look! Looky there!" And undoubtedly renewing his excitement, Sam pointed at
the long, gaunt head beyond the manger. It was disappearing from view. "Look!"
Sam shouted. "He's layin' down!"
"Well, then," said Penrod, "I guess he's goin' to take a nap. If he wants to lay down
without waitin' for us to get the sawdust fixed for him, that's his lookout, not ours."
On the contrary, Sam perceived a favorable opportunity for action.
"I just as soon go and make his bed up while he's layin' down," he volunteered. "You
climb up on the manger and watch him, Penrod, and I'll sneak in the other stall
and fix it all up nice for him, so's he can go in there any time when he wakes up, and
lay down again, or anything; and if he starts to get up, you holler and I'll jump out
over the other manger."

Accordingly, Penrod established himself in a position to observe the recumbent
figure. Whitey's breathing was rather labored but regular, and, as Sam remarked,
he looked "better," even in his slumber. It is not to be doubted that, although Whitey
was suffering from a light attack of colic, his feelings were in the main those of
contentment. After trouble, he was solaced; after exposure, he was sheltered; after
hunger and thirst, he was fed and watered. He slept.

The noon whistles blew before Sam's task was finished, but by the time he departed
for lunch there was made a bed of such quality that Whitey must needs have been
born fault finder if he complained of it. The friends parted, each urging the other to
be prompt in returning, but Penrod got into threatening difficulties as soon as he
entered the house.


III

"Penrod," said his mother, "what did you do with that loaf of bread Della says you
took from the table?"
"Ma'am? _What_ loaf o' bread?"
"I believe I can't let you go outdoors this afternoon," Mrs. Schofield said severely. "If
you were hungry, you know perfectly well all you hadto do was to----"
"But I wasn't hungry; I----"
"You can explain later," said Mrs. Schofield. "You'll have all afternoon."
Penrod's heart grew cold.
"I _can't_ stay in," he protested. "I've asked Sam Williams to come over."
"I'll telephone Mrs. Williams."
"Mamma!" Penrod's voice became agonized. "I _had_ to give that bread toa--to a
poor ole man. He was starving and so were his children and hiswife. They were all
just _starving_--and they couldn't wait while I took time to come and ask you,
mamma. I _got_ to go outdoors this afternoon. I _got_ to! Sam's----"

She relented.
In the carriage-house, half an hour later, Penrod gave an account of the episode.

"Where'd we been, I'd just like to know," he concluded, "if I hadn't got out here
this afternoon?"
"Well, I guess I could managed him all right," said Sam. "I was in the passageway,
a minute ago, takin' a look at him. He's standin' up agin. I expect he wants more to eat."
"Well, we got to fix about that," said Penrod. "But what I mean--if I'd had to stay
in the house, where would we been about the most important thing in the whole
biz'nuss?"
"What you talkin' about?"
"Well, why can't you wait till I tell you?" Penrod's tone had become peevish.
For that matter, so had Sam's; they were developing one of the little differences,
or quarrels, that composed the very texture of their friendship.
"Well, why don't you tell me, then?"
"Well, how can I?" Penrod demanded. "You keep talkin' every minute."
"I'm not talkin' _now_, am I?" Sam protested. "You can tell me _now_,can't you?
I'm not talk----"
"You are, too!" shouted Penrod. "You talk all the time! You----"
He was interrupted by Whitey's peculiar cough. Both boys jumped and forgot
their argument.
"He means he wants some more to eat, I bet," said Sam.
"Well, if he does, he's got to wait," Penrod declared. "We got to get the most
important thing of all fixed up first."
"What's that, Penrod?"
"The reward," said Penrod mildly. "That's what I was tryin' to tell you about, Sam,
if you'd ever give me half a chance."
"Well, I _did_ give you a chance. I kept _tellin'_ you to tell me, but----"
"You never! You kept sayin'----"

They renewed this discussion, protracting it indefinitely; but as each persisted in
clinging to his own interpretation of the facts, the question still remains unsettled.
It was abandoned, or rather, it merged into another during the later stages of the
debate, this other being concerned with which of the debaters had the least "sense."
Eachmade the plain statement that if he were more deficient than his opponent
in that regard, self-destruction would be his only refuge. Each declared that he
would "rather die than be talked to death"; and then, as the two approached a point
bluntly recriminative, Whitey coughed again, whereupon they were miraculously
silent, and went into the passageway in a perfectly amiable manner.

"I got to have a good look at him, for once," said Penrod, as he stared frowningly
at Whitey. "We got to fix up about that reward."
"I want to take a good ole look at him myself," said Sam.

After supplying Whitey with another bucket of water, they returned to the
carriage-house and seated themselves thoughtfully. In truth, they were something
a shade more than thoughtful; the adventure to which they had committed themselves
was beginning to be a little overpowering. If Whitey had been a dog, a goat, a fowl,
or even a stray calf, they would have felt equal to him; but now that the earlier glow
of their wild daring had disappeared, vague apprehensions stirred. Their "good look"
at Whitey had not reassured them--he seemed large, Gothic, and unusual.

Whisperings within them began to urge that for boys to undertake an enterprise
connected with so huge an animal as an actual horse was perilous. Beneath the surface
of their musings, dim but ominous prophecies moved; both boys began to have the
feeling that, somehow, this affair was going to get beyond them and that they would
be in heavy trouble before it was over--they knew not why. They knew why no more
than they knew why they felt it imperative to keep the fact of Whitey's presence in
the stable a secret from their respective families, but they did begin to realize that
keeping a secret of that size was going to be attended with some difficulty.

In brief, their sensations were becoming comparable to those of the man who stole
a house. Nevertheless, after a short period given to unspoken misgivings, they
returned to the subject of the reward. The money-value of bay horses, as compared
to white, was again discussed, and each announced his certainty that nothing less
than "a good ole hundred dollars" would be offered for the return of Whitey.
But immediately after so speaking they fell into another silence, due to sinking
feelings. They had spoken loudly and confidently, and yet they knew, somehow,
that such things were not to be. According to their knowledge, it was perfectly
reasonable to suppose that they would receive this fortune, but they frightened
themselves in speaking of it; they knew that they _could_ not have a hundred
dollars for their own. An oppression, as from something awful and criminal,
descended upon them at intervals.

Presently, however, they were warmed to a little cheerfulness again by Penrod's
suggestion that they should put a notice in the paper. Neither of them had the
slightest idea how to get it there, but such details as that were beyond the horizon;
they occupied themselves with the question of what their advertisement ought
to "say." Finding that they differed irreconcilably, Penrod went to a cache of his in
the sawdust-box and brought two pencils and a supply of paper. He gave one of the
pencils and several sheets to Sam; then both boys bent themselves in silence to the
labor of practical composition. Penrod produced the briefer paragraph.
Sam's was more ample.
[Illustration: FIG I missing]
[Illustration: FIG II missing]

Neither Sam nor Penrod showed any interest in what the other had written,
but both felt that something praiseworthy had beenaccomplished. Penrod exhaled
a sigh, as of relief, and, in a manner he had observed his father use sometimes, he said:

"Thank goodness, _that's_ off my mind, anyway!"
"What we goin' do next, Penrod?" Sam asked deferentially, the borrowed manner
having some effect upon him.
"I don't know what _you're_ goin' to do," Penrod returned, picking up the old cigar
box which had contained the paper and pencils. _"I'm_goin' to put mine in here,
so's it'll come in handy when I haf to get at it."
"Well, I guess I'll keep mine there, too," said Sam. There upon he deposited his scribbled
slip beside Penrod's in the cigar box, and the box was solemnly returned to the secret
place whence it had been taken.

"There, _that's_ 'tended to!" said Sam, and, unconsciously imitating his friend's
imitation, he gave forth audibly a breath of satisfaction and relief. Both boys felt that
the financial side of their great affair had been conscientiously looked to, that the
question of the reward was settled, and that everything was proceeding in a
businesslike manner.

Therefore, they were able to turn their attentionto another matter. This was the
question of Whitey's next meal. After their exploits of the morning, and the
consequent imperilment of Penrod, they decided that nothing more was to be done
in apples, vegetables, or bread; it was evident that Whitey must be fed from the
bosom of nature.

"We couldn't pull enough o' that frostbit ole grass in the yard to feed him," Penrod
said gloomily. "We could work a week and not get enough to make him swaller
more'n about twice. All we got this morning, he blew most of it away. He'd try to
scoop it in toward his teeth with his lip, and then he'd haf to kind of blow out his
breath, and after that all the grass that'd be left was just some wet pieces stickin'
to the outsides of his face. Well, and you know how he acted about that maple branch.
We can't trust him with branches."
Sam jumped up.
"_I_ know!" he cried. "There's lots of leaves left on the branches. We can give them to him."
"I just said----"
"I don't mean the branches," Sam explained. "We'll leave the branches on the trees,
but just pull the leaves off the branches and put 'em in the bucket and feed 'em to him
out the bucket."

Penrod thought this plan worth trying, and for three-quarters of an hour the two boys
were busy with the lower branches of various trees in the yard. Thus they managed
to supply Whitey with a fair quantity of wet leaves, which he ate in a perfunctory
way, displaying little of his earlier enthusiasm. And the work of his purveyors might
have been more tedious if it had been less damp, for a boy is seldom bored by anything
that involves his staying-out in the rain without protection. The drizzle had thickened;
the leaves were heavy with water, and at every jerk the branches sent fat drops over
the two collectors. They attained a noteworthy state of sogginess.

Finally, they were brought to the attention of the authorities indoors, and Della
appeared upon the back porch.

"Musther Penrod," she called, "y'r mamma says ye'll c'm in the house this minute an'
change y'r shoes an' stockin's an' everythun' else ye got on! D'ye hear me?"

Penrod, taken by surprise and unpleasantly alarmed, darted away from the tree he
was depleting and ran for the stable.
"You tell her I'm dry as toast!" he shouted over his shoulder.

Della withdrew, wearing the air of a person gratuitously insulted; and a moment
later she issued from the kitchen, carrying an umbrella. She opened it and walked
resolutely to the stable.
"She says I'm to bring ye in the house," said Della, "an' I'm goin' to bring ye!"

Sam had joined Penrod in the carriage-house, and, with the beginnings of an
unnamed terror, the two beheld this grim advance. But they did not stay for its
culmination. Without a word to each other they hurriedly tiptoed up the stairs to
the gloomy loft, and there they paused, listening.
They heard Della's steps upon the carriage-house floor.
"Ah, there's plenty places t'hide in," they heard her say; "but I'll show ye! She tole
me to bring ye, and I'm----"

She was interrupted by a peculiar sound--loud, chilling, dismal, and unmistakably
not of human origin. The boys knew it for Whitey's cough, but Della had not their
experience. A smothered shriek reached their ears; there was a scurrying noise,
nd then, with horror, they heard Della's footsteps in the passageway that ran by
Whitey's manger. Immediately there came a louder shriek, and even in the anguish
of knowing their secret discovered, they were shocked to hear distinctly the words,
"O Lard in hivvin!" in the well-known voice of Della. She shrieked again, and they
heard the rush of her footfalls across the carriage-house floor. Wild words came from
the outer air, and the kitchen door slammed violently.

It was all over. She had gone to"tell."

Penrod and Sam plunged down the stairs and out of the stable. They climbed the
back fence and fled up the alley. They turned into Sam's yard, and, without consultation,
headed for the cellar doors, nor paused till they found themselves in the farthest, darkest,
and gloomiest recess of the cellar. There, perspiring, stricken with fear, they sank down
upon the earthen floor, with their moist backs against the stone wall.

Thus with boys. The vague apprehensions that had been creeping uponPenrod and
Sam all afternoon had become monstrous; the unknown was before them. How great
their crime would turn out to be (now that it was in the hands of grown people), they
did not know, but, since it concerned a horse, it would undoubtedly be considered of
terrible dimensions.

Their plans for a reward, and all the things that had seemed both innocent and practical
in the morning, now staggered their minds as manifestations of criminal folly. A new
and terrible light seemed to play upon the day's exploits; they had chased a horse
belonging to strangers, and it would be said that they deliberately drove him into the
stable and there concealed him. They had, in truth, virtually stolen him, and they had
stolen food for him. The waning light through the small window above them warned
Penrod that his inroads upon the vegetables in his own cellar must soon be discovered.

Della, that Nemesis, would seek them in order to prepare them for dinner, and she
would find them not. But she would recall his excursion to the cellar, for she had seen
him when he came up; and also the truth would b known concerning the loaf of bread. Altogether, Penrod felt that his ase was worse than Sam's--until Sam offered a
suggestion which roused uch horrible possibilitites concerning the principal item of
their ffense that all thought of the smaller indictments disappeared.

"Listen, Penrod," Sam quavered: "What--what if that--what if that ole horse maybe
b'longed to a--policeman!" Sam's imagination was not of the comforting kind.
"What'd they--do to us, Penrod, if it turned out he was some policeman's horse?"

Penrod was able only to shake his head. He did not reply in words, but both boys
thenceforth considered it almost inevitable that Whitey _had_belonged to a
policeman, and in their sense of so ultimate a disaster, they ceased for a time to
brood upon what their parents would probably do to them. The penalty for stealing
a policeman's horse would be only a step short of capital, they were sure. They
would not be hanged; but vague, looming sketches of something called the
penitentiary began to flicker before them.

It grew darker in the cellar, so that finally they could not see each other.
"I guess they're huntin' for us by now," Sam said huskily. "I don't--I don't like it
much down here, Penrod."
Penrod's hoarse whisper came from the profound gloom:
"Well, who ever said you did?"
"Well----" Sam paused; then he said plaintively, "I wish we'd never_seen_ that
dern ole horse."
"It was every bit his fault," said Penrod. "_We_ didn't do anything. If he hadn't
come stickin' his ole head in our stable, it'd never happened at all. Ole fool!"
He rose. "I'm goin' to get out of here; I guess I've stood about enough for one day."
"Where--where you goin', Penrod? You aren't goin' _home_, are you?"
"No; I'm not! What do you take me for? You think I'm crazy?"
"Well, where _can_ you go?"

How far Penrod's desperation actually would have led him is doubtful, but he made
this statement:

"I don't know where _you're_ goin', but _I'm_ goin' to walk straight out in the
country till I come to a farm-house and say my name's George and live there!"
"I'll do it, too," Sam whispered eagerly. "I'll say my name's Henry."
"Well, we better get started," said the executive Penrod. "We got to get away
from here, anyway."

But when they came to ascend the steps leading to the "outside doors," they
found that those doors had been closed and locked for the night.

"It's no use," Sam lamented, "and we can't bust 'em, cause I tried to, once before.
Fanny always locks 'em about five o'clock--I forgot. We got to go up the stairway
and try to sneak out through the house."

They tiptoed back, and up the inner stairs. They paused at the top, then breathlessly
stepped out into a hall which was entirely dark. Sam touched Penrod's sleeve in
warning, and bent to listen at a door.

Immediately that door opened, revealing the bright library, where sat Penrod's
mother and Sam's father. It was Sam's mother who had opened the door.

"Come into the library, boys," she said. "Mrs. Schofield is just telling us about it."

And as the two comrades moved dumbly into the lighted room, Penrod's mother
rose, and, taking him by the shoulder, urged him close to the fire.

"You stand there and try to dry off a little, while I finish telling Mr. and Mrs.
Williams about you and Sam," she said. "You'd better make Sam keep near the
fire, too, Mrs. Williams, because they both got wringing wet. Think of their
running off just when most people would have wanted to stay! Well, I'll go on
with the story, then. Della told me all about it, and what the cook next door said
she'd_ seen, how they'd been trying to pull grass and leaves for the poor old thing
all day--and all about the apples they carried from _your_ cellar, and getting wet
and working in the rain as hard as they could--and they'd given him a loaf of bread!
Shame on you, Penrod!" She paused to laugh, but there was a little moisture round
her eyes, even before she laughed.

"And they'd fed him on potatoes and lettuce and cabbage and turnips out of _our
cellar! And I wish you'd see the sawdust bed theymade for him! Well, when I'd
telephoned, and the Humane Society man got there, he said it was the most
touching thing he ever knew. It seems he_knew this horse, and had been looking
for him. He said ninety-nine boys out of a hundred would have chased the poor
old thing away, and he was going to see to it that this case didn't go unnoticed,
because the local branch of the society gives little silver medals for special acts
like this. And the last thing he said before he led the poor old horse away was
that he was sure Penrod and Sam each would be awarded one at the meeting of
the society next Thursday night."

... On the following Saturday morning a yodel sounded from the sunny sidewalk
in front of the Schofields' house, and Penrod, issuing forth, beheld the familiar
figure of Samuel Williams in waiting.

Upon Sam's breast there glittered a round bit of silver suspended by a white
ribbon from a bar of the same metal. Upon the breast of Penrod was a decoration
precisely similar.
"'Lo, Penrod," said Sam. "What you goin' to do?"
"Nothin'."
"I got mine on," said Sam.
"I have, too," said Penrod. "I wouldn't take a hundred dollars for mine."

Each glanced pleasantly at the other's medal. They faced each other without shame.
Neither had the slightest sense of hypocrisy either in himself or in his comrade.
On the contrary!

Penrod's eyes went from Sam's medal back to his own; thence they wandered,
with perhaps a little disappointment, to the lifeless street and to the empty yards
and spectatorless windows of the neighborhood. Then he looked southward toward
the busy heart of the town, where multitudes were.

"Let's go down and see what time it is by the court-house clock," said Penrod.



by Booth Tarkington


Friday, April 27, 2007

Nu Url :Review

(interrupting your viewing with a short commercial message lol)

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Thursday, April 26, 2007

Axel Munthe - "For Those Who Love Music"

FOR THOSE WHO LOVE MUSIC

I had engaged him by the year. Twice a week he came and went through his
whole repertoire, and lately, out of sympathy for me, he would play
the_Miserere_ of the _Trovatore_,[Footnote: Miserere of theTrovatore.
Trovatore is an opera by Verdi.] which was his show piece,twice over.
He stood there in the middle of the street looking steadfastly up at my
windows while he played, and when he had finished he would take off his
hat with an "Addio, Signor!" [Footnote: AddioSigner: "Good-by, Sir."]

It is well known that the barrel-organ, like the violin, gets a fuller and more
sympathetic tone the older it is. The old artist had an excellent instrument,
not of the modern noisy type which imitates a whole orchestra with flutes
and bells and beats of drums, but a melancholy old-fashioned barrel-organ
[Footnote: A melancholy barrelorgan. What does the author mean by this?]
which knew how to lend a dreamy mystery to the gayest allegretto,
Footnote: Allegretto: lively, a musical term to denote the tempo of a
composition.] and in whose proudest tempo di Marcia [Footnote: Tempo di
Marcia: marching time.] there sounded an unmistakable undertone of resignation.

And in the tenderer pieces of the repertoire, where the melody, muffled and
staggering like a cracked old human voice, groped its way amongst the rusty
pipes of the treble, then there was a trembling in the bass like suppressed sobs.
Now and then the voice of the tired organ failed it completely, and then the old
man would resignedly turn the handle during some bars of rest more touching
in their eloquent silence than any music.

True, the instrument was itself very expressive, but the old man had surely
his share in the sensation of melancholy which came over me whenever I heard
his music. He had his beat in the poor quarter behind the Jardin des Plantes,
[Footnote: Jardin des Plantes: the botanical garden.] and many times during
my solitary rambles up there had I stopped and taken my place among the scanty
audience of ragged streetboys which surrounded him.

It was not difficult to see that times were hard--the old man's clothes were
doubtful, and the pallor of poverty lay over his withered features, where I read
the story of a long life of failure. He came from the mountains around Monte
Cassino
, [Footnote: Monte Cassino: a monastery on a hill near Cassino, Italy,
about forty-five miles from Naples.] so he informed me, but where the monkey
hailed from I never quite got to know.

Thus we met from time to time during my rambles in the poor quarters. Had I
a moment to spare I stopped for a while to listen to a tune or two, as I saw that it
gratified the old man, and since I always carried a lump of sugar in my pocket
for any dog acquaintance I might possibly meet, I soon made friends with the
monkey also. The relations between the little monkey and her impressario
[Footnote: Impressario: the conductor of an opera or a concert.] were unusually
cordial, and this notwithstanding that she had completely failed to fulfil the
expectations which had been founded upon her--she had never been able to learn
a single trick, the old man told me. Thus all attempts at education had long ago
been abandoned, and she sat there huddled together on her barrel-organ and did
nothing at all.

Her face was sad, like that of most animals, and her thoughts were far away.
But now and then she woke up from her dreams, and her eyes could then take
asuspicious, almost malignant expression, as they lit upon some of the street boys
who crowded round her tribune [Footnote: Round her tribune: a curious use of this
word, which means a pulpit or bench from which speeches were made.] and tried
to pull her tail, which stuck out from her little gold-laced garibaldi. [Footnote:
Garibaldi: a jacket which took its name from its likeness in shape to the red shirt
worn by the Italian patriot Garibaldi.] To me she was always very amiable;
confidently she laid her wrinkled hand in mine and absently she accepted the little
attentions I was able to offer her. She was very fond of sweetmeats, and burnt
almonds were, in her opinion, the most delectable thing in the world.

Since the old man had once recognized his musical friend on a balcony of the
Hotel de L'Avenir, [Footnote: Hotel de L'Avenir: literally, "Hotel of the Future."]
he often came and played under my windows. Later on he became engaged,
as already said, to come regularly and play twice a week,--it may, perhaps, appear
superfluous for one who was studying medicine, but the old man's terms were so
small, and you know I have always been so fond of music. Besides it was the only
recreation at hand--I was working to take my degree in the spring.

So passed the autumn, and the hard times came. The rich tried on the new winter
fashions, and the poor shivered with the cold. It became more and more difficult
for well-gloved hands to leave the warm muff or the fur-lined coat to take out a
copper for the beggar, and more and more desperate became the struggle for
bread amongst the problematical existences [Footnote: The problematical
existences. Explain this expression.] of the street.

Now and then I came across my friend, and we always had, as before, a kind word
for one another. He was now, wrapped up in an old Abruzzi cloak, [Footnote:
Abruzzi cloak. Abruzzi is a division of western Italy including three provinces.]
and I noticed that the greater the cold became the faster did he turn the handle to
keep himself warm; and towards December the _Miserere_ itself was performed
in allegretto.

The monkey had now become civilian, and wrapped up her little thin body in a long
ulster such as Englishmen wear; but she was fearfully cold notwithstanding, and,
forgetful of all etiquette, more and more often she jumped from the barrel-organ
and crept in under the old man's cloak.

And while they were suffering out there in the cold I sat at home in my cosy, warm
room, and instead of helping them, I forgot all about them, more and more taken
up as I was with my coming examination, with no thought but for myself. And then
one day I suddenly left my lodgings and removed to the Hotel Dieu to take the
place of a comrade, and weeks passed before I put my foot out of the hospital.

I remember it so well, it was on New Year's Day we met each other again. I was
crossing the Place de Notre Dame, [Footnote: Place de Notre Dame. The square in
front of Notre Dame Cathedral.] mass was just over, and the people were streaming
out of the old cathedral. As usual, a row of beggars was standing before the door,
imploring the charity of the church-goers. At the farther end, and at some distance
from the others, an old man stood with bent head and outstretched hat, and with
painful surprise I recognized my friend in his threadbare old coat without the Abruzzi
cloak, without the barrel-organ, without the monkey.

My first impulse was to go up to him, but an uneasy feeling of I do not know what held
me back; I felt that I blushed and I did not move from my place. Every now and then
a passer-by stopped for a moment and made as if to search his pockets, but I did not
see a single copper fall into the old man's hat. The place became gradually deserted,
and one beggar after another trotted off with his little earnings. At last a child came
out of the church, led by a gentleman in mourning; the child pointed towards the old
man, and then ran up to him and laid a silver coin in his hat.

The old man humbly bowed his head in thanks, and even I, with my unfortunate
absent-mindedness, was very nearly thanking the little donor also, so pleased was I.
My friend carefully wrapped up the precious gift in an old pocket-handkerchief,
and stooping forward, as if still carrying the barrel-organ on his back, he walked off.

I happened to be quite free that morning, and thinking that a little walk before
luncheon could do me no harm after the hospital air, I followed him at a short
distance across the Seine. [Footnote: Seine. Paris is on the River Seine. "buon
giorno": "Good day."] Once or twice I nearly caught him up, and all but tapped
him on the shoulder, with a"Buon giorno, Don Gaetano!" Yet, without exactly
knowing why, I drew back at the last moment and let him get a few paces ahead of
me again.

We had just crossed the Place Maubert [Footnote: Place Maubert: Boulevard St.
Germain
: streets in Paris.] and turned into the Boulevard St. Germain; the boulevard
was full of people, so that, without being noticed, I could approach him quite close.
He was standing before an elegant confectioners' shop, and to my surprise he entered
without hesitation. I took up my position before the shop window, alongside some shivering street arabs [Footnote: Street Arabs. What is meant by this term?] who stood there,
absorbed in the contemplation of the unattainable delicacies within, and I watched the
old man carefully untie his pocket-handkerchief and lay the little girl's gift upon the
counter.

I had hardly time to draw back before he came out with a red paper bag of sweets
in his hand, and with rapid steps he started off in the direction of the Jardin des
Plantes. I was very much astonished at what I had seen, and my curiosity made me follow him.
He slackened his pace at one of the little slums behind Hopital de la Pitie, [Footnote:
Hopital de la Pitie: literally,"Hospital of Pity."] and I saw him disappear into a dirty
old house.

I waited outside a minute or two and then I groped my way through the pitch-dark
entrance, climbed up a filthy staircase, and found a door slightly ajar. An icy, dark
room, in the middle three ragged little children crouched together around a half-extinct braziero, [Footnote:Brazier: a pan for burning coals. Tuscan. Tuscany is one of the
divisions of northern Italy.] in the corner the only furniture in theroom--a clean iron
bedstead, with crucifix and rosary hung on the wall above it, and by the window
an image of the Madonna adorned with gaudy paper flowers; I was in Italy, in my
poor, exiled Italy. And in the purest Tuscan the eldest sister informed me that
Don Gaetano lived in the garret.

I went up there and knocked, but got no answer, so I opened the door myself.
The room was brightly lit by a blazing fire. With his back towards the door, Don
Gaetano was on his knees before the stove busy heating a saucepan over the fire;
beside him on the floor lay an old mattress with the well-known Abruzzi cloak thrown
over it, and closeby, spread out on a newspaper, were various delicacies--an orange,
walnuts, and raisins, and there also was the red paper bag. Don Gaetano dropped a
lump of sugar into the saucepan, stirred it with a stick, and in a persuasive voice I
heard him say, "Che bella roba, che bella roba,quanto e buono questa latte con lo
zucchero! Non piange anima mia, adesso siamo pronti!" [Footnote: "What nice things,
what nice things, how good this milk with sugar is! Don't cry, my darling, it is readynow!"]
A slight rustling was heard beneath the Abruzzi cloak and a black littlehand was stretched
out toward the red paper bag.

"Primo il latte, primo il latte" admonished the old man. "Non importa, piglio tu una,"
[Footnote: "The milk first, the milk first--never mind, take one."] he repeated, and
took a big burnt almond out of the paperbag; the little hand disappeared, and a crunching
was heard under the cloak. Don Gaetano poured the warm milk in a saucer, and then he
carefully lifted up a corner of the cloak. There lay the poor little monkey with heaving
breast and eyes glowing with fever. Her face had become so small and her complexion
was ashy gray. The old man took heron his knees, and tenderly as a mother he poured
some spoonfuls of the warm milk into her mouth. She looked with indifferent eyes
towards the delicacies on the table, and absently she let her fingers pass through her
master's beard. She was so tired that she could hardly hold her head up, and now and
then she coughed so that her thin little body trembled, and she pressed both her hands
to her temples. Don Gaetano shook his head sadly, and carefully laid the little invalid
back under the cloak.

A feeble blush spread over the old man's face as he caught sight of me.I told him that I happened to be passing by just as he was entering his house, and that I took the liberty
of following him upstairs in order to bid him good-morning and to give him my new
address, in the hope that he would come and play to me as before. I involuntarily
looked round for the barrel-organ as I spoke, and Don Gaetano, who understood,
informed me that he no longer played the organ--he sang. I glanced at the precious
pile of wood beside the fire-place, at the new blanket that hung before the window
to keep out the draught, at the delicacies on the newspaper--and I also understood.

The monkey had been ill three weeks--"la febbre," [Footnote: La febbre:the fever.]
explained the old man. We knelt one on each side of the bed, and the sick animal
looked at me with her mute prayer for help. Her nose was hot, as it is with sick
children and dogs, her face wrinkled like that of an old, old woman, and her eyes
had got quite a human expression. Her breathing was so short, and we could hear
how it rattled in her throat. The diagnosis was not difficult--she had consumption.
Nowand again she stretched out her thin arms as if she implored us to help her, and
Don Gaetano thought that she did so because she wished to be bled. I would willingly
have given in in this case, although opposed in principle to this treatment, if I had
thought it possible that any benefit could have been derived from it; but I knew only
too well how unlikely this was, and I tried my best to make Don Gaetano understand it.

Unhappily I did not know myself what there was to be done. I had at that time a friend
amongst the keepers of the monkey-house in the Jardindes Plantes, and the same night
he came with me to have a look at her; he said that there was nothing to be done, and
that there was no hope. And he was right. For one week more the fire blazed in Don Gaetano's garret, then it was left to go out, and it became cold and dark as before in the old man's
home.

True, he got his barrel-organ out from the pawn-shop, and now and then a copper fell
into his hat. He did not die of starvation, and that was about all he asked of life. The
spring came and I left Paris; and God knows what become of Don Gaetano.

If you happen to hear a melancholy old barrel-organ in the courtyard, go to the
window and give a penny to the poor errant [Footnote: Errant:wandering.]
musician--perhaps it is Don Gaetano! If you find that his organ disturbs you, try if
you like it, better by making him stand a little farther off, but don't send him away
with harshness! He has to bear so many hard words as it is; why should not we then
be a little kind to him--we who love music?



--AXEL MUNTHE (adapted).


[Footnote: What interested the author in the old organ-grinder? What was the music
like? Explain the title of the story. By what incidents does the author show the unselfish devotion of the old musician for his pet? Was his pet winning or lovable? Why did the
old man care so much for it? Is the picture of the old man dignified or sordid? Why?
Point out instances of dramatic contrast. Are the descriptions in the story
simple or elaborate?]

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